Given the free style of Falla con misuras , it is hard to imagine dancing to such a meter but this short work does have an alternative title, Bassa castiglia basse danse —a style of dance very popular throughout Europe at the time.
Falla con misuras was originally composed for recorder and lute but works particularly well for trumpet and organ when performed in a renaissance style with sixteenth-century registration. As the originalmanuscript has no meter we have performed and recorded the work as if in an improvised style.
Johann Pachelbel was born into a middle-class family in Nuremberg in During his early years he received musical training from Heinrich Schwemmer the cantor at St. Sebaldus Church and Georg Caspar Wecker, organist of the same church. In , he became a student at the University of Altdorf and was also appointed organist of St. Lorenz Church. Unfortunately, after less than a year, financial difficulties forced Pachelbel to leave the university and complete his studies as a scholarship student at the Gymnasium Poeticum at Regensburg.
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Other well-known works include the organ Toccatas in G minor and E minor, both of which are recorded here. His passing is attributed to him having succumbed to tuberculosis.
Purcell most likely composed Three Parts Upon a Ground sometime between given there are stylistic complexities similar to the Fantasias of , and virtuosic characteristics akin to the later trio sonatas. Parts Upon a Ground is in D major throughout—a key that lends itself well to the trumpet, and written above a ground bass repeated 28 times. He became the assistant organist at Halle Cathedral when he was just 12 years old, and aged 18, moved to Hamburg where he played violin in the opera orchestra.
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After George, Elector of Hanover was crowned King George I of England, Handel made London his home and became one of the most popular and successful composers of the time. Today, he is best known for his operas, oratorios and festive music Music for the Royal Fireworks and The Water Music although he was a prolificcomposer in several other genres including English church music and instrumental concertosand sonatas.
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The Sonata in F Op 1 No 12, was originally written for violin, and first published in as part of a collection of twelve solo sonatas for flute, violin or oboe. In the form of a suite in four movements, this sonata is one of six I have arranged for trumpet and organ from Op 1.
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Johann Sebastian Bach was born in Eisenach in and died in Leipzig in He was the youngest child of Johann Ambrosius Bach, a high-ranking town violinist and trumpeter who directed the musicians in Eisenach. His father taught him to play the harpsichord, but it washis uncle, Johann Christoph, who introduced him to the organ. The strict counterpoint of a fugue is often regarded as the most complex part of the toccata-fugue form, but the dramatic opening of the Toccata and Fugue in D minor is such that one feels an enormous sense of arrival, perhaps even release, when the Toccata finally gives way to the Fugue.
The opening is one of the most recognizable motifs in the classical music repertoire: three notes in octaves A-G-A cascade downwards, arriving finally on a low sustained pedal D from which emerges a diminished C chord creating such dissonance for the time that seems to resolve only just before becoming questionable. Such timing, this has to be one of the most spectacular openings in the organ repertoire. As mentioned, the arrival of the fugue gives an enormous sense of release as gently flowing sixteenth notes drift calmly by, before casually moving aside to accommodate the second sub-dominant voice.
Sublime musical logic: it is no wonder Johann Sebastian Bach is considered one of the greatest of all baroque composers. Clearly stated at the beginning and end, the other seven statements are concealed to a greater or lesser extent in the texture.
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The opening is deliberately sparse with open fifths and octaves giving an impression of the music slowly emerging from the distant cloisters of the cathedral. The music is spacious and transparent, and composed with Tulle Cathedral in mind. Blow away the morning dew Searching for lambs Sweet England Dabbling in the dew Just as the tide was a-flowing. Bruce Springsteen vocals, guitars harmonica, mandolin, recorder David Sancious soprano saxophone, piano, electric piano, Clavinet, organ Garry Tallent tuba, bass instrument, background vocals Danny Federici accordion, piano, organ, background vocals Clarence 'Nick' Clemons saxophone, background vocals Vincent 'Loper' Lopez drums, background vocals Richard Blackwell congas, percussion.
Bob, Frank en Zussen Bob van Pottelberghe voice, guitar Frank Claessens voice, guitar, vielle, cornemuse recorder Gina Claessens voice, violin, shawm, recorder Annemie van Pottelberghe voice, percussion Dirk Apers tambourine, typewriter Philippe Lardinois voice, guitar, recorder, percussion. Bill Benbow 2. Bergerette sans roch - Hirtentanz 3. Woe worth the tyme 4. Country dance 5. Belle qui tiens ma vie 6.
Bransle des chevaux 8. Au joli bois 9. Minne 1.
In the merry month of may 2. Pase el agua 3. In un boschetto 4. Farewell to the faithless 5. Saltarello 6. Puisque vous nous avez fui 7. La Rotta 8.
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